Sunday, October 12, 2014

Hopes and Aspirations


I would like to be a filmmaker. Not just any filmmaker though. I don't want to make horror films or films that just make people laugh. But the kind that seriously impact peoples' perception of reality. The sort that you walk out of the theater feeling a newfound perspective on the world in which we live. Hopefully an enlightened and empowered perspective.

This all started before I ever had a camera. It probably began the moment while watching a movie I wondered, "How did they do that?" Once I started thinking in those terms, it became a little more difficult to watch films objectively. As I grew older, it became increasingly difficult to watch a film and to just enjoy it, without being consumed by questions about what was going on behind the scenes.

I've never made the full connection between writing and filmmaking. Usually most of the stuff that I've produced, in terms of film, has either been paid for by a client or entirely unplanned. I used to see all my friends with the potential to be great subjects of films but I'm still dialing in the method by which I can make that possible, by understanding the mentality behind people; we are subject to the awareness of the camera. I hope in my lifetime to conquer and comprehend.


Me and Filming Stuff

I was involved in a car accident when I was 19 years old. I had already known that I wanted to produce media in life, but it wasn't until then when things started to change for me, perspectively. I began to think about the world in a very different way. I started to think that each and every moment was a rare opportunity to experience it. And I didn't quite feel this way before that accident. It wasn't until after that occurred that I began filming everything. This was before phones had decent cameras. I carried around a DCR-HC30 everywhere and filmed stuff like my friends at the skatepark.


Friday, October 3, 2014

October 2014: Waterfront Farmhouse



I just moved. 


There have been times when life had been so incredibly full of misfortune for reasons beyond my control. This is not one of them.

So much is beyond my control I can't describe, and I'm trying to have faith in whoever is writing this story that I'm living. Trying to understand.

I was at Miya's and one of the waiters offered me something not on the menu. "Do you need a place to live?" he asked. I said, "Yeah, actually."


Dave said, "Because we got this place, out in Branford and it's really nice. If you want to come see it, you can just drop by or whatever. It's in Short Beach." And so one day I drove my motorcycle over to see it. I was impressed beyond words, of course for all of the conventional reasons. The proximity to the water. The architectural complexities. There was a feeling I felt, though, which I hadn't felt in a really long time. And words that entered my mind and struck a chord in my heart: "You are going to find yourself here. You were meant to be here now."
I don't know if those were Tom's words, coming to me through the Aether. But I kind of hope they were, because I feel his presence all around me. I see details and architectural nuances. I'm a conduit for spirits because I allow it. I tolerate the thought of the possibility that the spiritual world could actually exist. That's why my life is so mysterious and magical, I think at times. It's because I allow myself to experience it.
The Tom whom I refer to is Tom Luckey. He built the place. I met him very briefly in 2010 when Greta Hotopp took me to see him at his other farmhouse, elsewhere in nearby East Haven. She told me I was going there to help him with his slideshow for his Pecha Kucha, but I think it was really just so I could meet him. This was after his accident, so he was quadriplegic and had difficulty communicating. He's passed since; just recently. Eric Epstein, a dear friend and mentor, was also good friends with Tom. I really like Eric, but I never got a chance to really know Tom. All I know of him is his work, as the creator of Luckey Climbers.

Luckey Climbers are a kind of childrens' playground that you might find in museums like the Boston Childrens Museum, as well as many other places if you check their website. Tom's son Spencer is still involved in building these all around the world. Walker will also become involved once he discovers how to implement more electronics into the climbers. One of my purposes here is to help him with that.

I love it here. I live in the home of a mysterious man, friends of dear friends of mine; father of Kit Luckey, my all-time most favorite bartender and also someone I wish I knew more. People I could potentially imagine as family. I am home.


The house was designed and built by a man who built children's playgrounds.  Keep that in mind when you see the giant rock wall which is effectively the large doors behind the kitchen. He built around the rock and created a room for it. On top of the room, there is a small structure which I have no idea how he built, but this could be used as the SpacePirate cavern of the future. Who knows.
The Stairs up the Rock Wall in the Back

A very rudimentary staircase is carved into the rock, using these metal bars which have been fastened into it. They're secure, but there's not much to stand on. You have to be kind of careful with it in order to be safe. But once you get up there, you find a place which has fallen into some disrepair. A leak in the roof caused major chunks of sheetrock to saturate with water and fall to the carpet. This also ruined the carpet as well. So there needs to be some repairs in there.
I plan on potentially using this area as my new SpacePirate technology museum. I was commissioned by ArtSpace in 2010 to install it in a New Haven Register delivery vehicle. If there were ever a good home for such an electronic art project, I think this might be the place.
The Room at the Top






This room needs fixin'

Before that happens, though, there is so much work to be done. I need to carefully remove the fallen sheetrock and vacuum the debris. Then I need to patch up the ceiling, which won't be too difficult but definitely needs to happen. Then it will be back in order again. Bringing items into the area will be much like bringing things into the barn. I wonder what the significance of that is.

All I know is that this is where I belong. It's going to get cold here this winter but it will be worth it. I will really feel the seasons. I'll especially feel the summer next year. 
Looking Down


Thursday, October 2, 2014

October 2014: My New Office.

So I have a new office now. It's on the 7th floor of a tower downtown in New Haven. I have my own desk, my own chair; my own cuppa coffee.

I sit there and write blog posts for TownGreenDistrict.Com usually; or occasionally fix information on InfoNewHaven.Com's site. Occasionally I Twitter stuff for the City on the InfoNewHaven account. One time the whole office email went down and a website was offline. I fixed most of the problem in less than 24 hours, considering it was a major server error. It was a great way to start the job on week two.

I thrive in environments where I'm challenged. I think that's why I like this job so much. The reason I got this job in the first place, in case you're wondering since I don't have a computer science degree and I taught myself whatever random stuff I know, is because I had a really good photos on my Instagram account, make really good videos, and know how to build websites.

It's the last part that I think gave me the position.  It's kind of amazing when you think about it. I built all this stuff for free, using largely bootlegged software on borrowed computers. It's been a process to learn it all throughout my life. And somehow, in some way, it's finally paid off. Doing free public relations for the city has paid off in a position where I'm literally now in a position where I'm the guy hired by the city to take videos of the mayor at downtown ribbon cuttings. Things like that. It certainly isn't where I expected to be about a month ago. Back then, I was homeless, remember? I literally went from having nothing, to having everything I could ever want; in such a short period of time.
 I always wanted to live in Branford. I always wanted to have a kayak and go wherever I wanted all day long. I always wanted a motorcycle. I wanted cool roommates and an amazing house, all to ourselves, with a beautiful front porch with a dining room table on it, lots of space, a climbing wall behind a spacious kitchen.

Just think, I was living in a building with no heat, electricity or running water just a few months ago. How can I be so fortunate? What gives me the right to find such happiness? Every day is a struggle to find ways of understanding and expressing appreciation for all of it.

We will continue to rock out.


Tuesday, September 30, 2014

May - Sept 2014: The Barn

My stuff in September 2014
I lived there all summer. It's an old building, 1850's or so. There's no heat, electricity, or running water. In its inception, it was built as a manufacturing facility for horse-drawn carriages. Later on, it had been used for many other things, such as repairing automobile glass. Somehow, it became the property of the owner of a local book store. I broke into it as a child and made it my home to escape my abusive family. In the house where I grew up in New Haven, there was a building across the street from it. This building was red, and looked like a barn. One day, I decided that I would seek a safer place to spend my time.

Getting In
So I explored my options. If you see the embedded Google map below, you'll notice that there are balconies along the windows. There's a way to climb the tree in the front. You can climb it and get into the window on the balcony. That's how I made my entrance.

I remember the summer I entered the barn. It was 1997 and I was a junior in high school. After I looked around, I realized that this was my new home. So I got all my belongings from across the street. I put them all into a wheelbarrow or wagon of some sort and carted many of the items I had been scavenging from the electronics sections of Salvation Army stores in the area, and hauled it all into the second floor using a milk crate hooked up to a rope. I repeated the process until I needed to stop because day was about to break.

Bringing in Belongings
It was difficult, in a certain sense, because I needed to put the items into the milk crate, which was attached to the rope. Then climb in from the overgrown trees in the front of the building onto the balcony. Reconvene with the rope and pull it up through the window. Lower the rope with the empty milk crate. Go back to the window with the overgrown tree. And repeat the process all over again.

If it sounds like a lot of work, that's because it was. And I did it because I truly had nothing better to do between 9pm and 4 in the morning. I'm surprised the local law enforcement didn't see me or ask questions, because there was nothing else going on that night. Just me, pushing outdated light projectors from Yale Media Lab which had been discarded and subsequently hauled just a few blocks down the street into a safe place; a red barn-looking building which was nothing shy of overlooked in its neighborhood.

I spoke to a few of my neighbors that summer. I had one conversation with a Jehovah's Witness who is also one of the best skateboarders that I know. He was working on his boat one afternoon and to be quite honest, I was drunk and vagrantly wandering about the neighborhood. He told me that everyone in the neighborhood stayed the fuck away from that building because they thought it was haunted. And if not haunted, it probably had dead bodies in it. I said, no. There are no dead bodies in there but it does smell like possum pee. Which is not a pleasant smell.

My old bedroom across the street in 2000
Childhood Home
I grew up in the house across the street, in the attic of the house across the street from the barn. The walls were sloped and spray painted. The windows faced across the street and I could see the place when I would sit on the rooftop and look out at the barn. Used to think about what might be in there, and who owned it. There were accidents and shootings at night.

My father was awful to me. He used to beat me as a child. I don't remember much of it. I do remember falling down the stairs because he kicked me down them. I remember hiding the bruises, thinking they were my fault. I remember severely disliking him for it.


View Larger Map

Roughing It
This was my home during the summer of 2014. It had a guitar I got from my friend. It says "New Haven" inside of it. There's a blanket which kind of smells. I arranged all of the random debris and wooden parts so that the ledge the bed is perched on appears to be surrounded by cabinets and windows. There are big windows facing east right next to it. I also set up my hammock. The light comes blasting in the morning. There's a fan from a nearby building on Whalley Ave which runs incessantly. It ruins the auditory atmosphere, so I'm lucky if I still have batteries to wear headphones.

Productivity
During the same period of time, I also had been invited to produce a commercial for Yale University Properties, to air on the Tennis Channel. I obtained this work through Twitter. Nhv.Org had been gaining in traction and popularity through social media. A few direct messages to whomever was directing the @ShopsAtYale account led to the most awesome opportunity of my life this far: producing a TV commercial for Yale.

Barn, July 2014
I produced the commercial for a whopping $1500, which I'm not disappointed in at all; however it does explain why the commercial is only what it was, and I hope it's not to describe me as a filmmaker of cheap commercials for world-class universities. Although that's kind of how I got my start. The fact is, they weren't going to do it if it weren't for cheap. They would have done without it completely if it were going to have cost $15k or something reasonable. Then again, they also hired the semi-homeless guy who was living down the street in the vacant building. I wonder how I pulled that off?

Bedroom, Circa 2004
I remember being just a kid and dreaming of this stuff. I've been using bungee cords and clothespins to hold notes of paper literally for as long as I can remember. I never throw anything away, but I hardly take on material possessions unless I feel that they absolutely must belong to me. I often think, if I told my 16-year old self that me at 34 would be where I am, I'm not sure how I would feel. In some ways, I think that I would have liked to experience this success when I was younger. Perhaps 20 or 24. But I often think that if my 24-year old self were to know about me now, he would be super fucking proud of my accomplishments.
Da barn
And I certainly hope so. Living at the barn had its nuances. I had many run-ins with squirrels. A few with raccoons. The barn's main entrance is a garage door. And there's generally a truck parked out in front of it.

Possums
I remember one night coming home and seeing a possum and what looked like a mouse. I thought the possum was trying to eat the mouse, as it ran away under the bottom of the staircase. This was in total darkness and I saw it all through my headlamp. I told the possum, "you can't eat the mouse! we don't eat each other here. those are the rules." but the mouse was actually a baby possum, and I startled it. So I had to stand there and wait for the momma possum to gain the courage and the strength to walk back over to the baby, whom it abandoned when it was startled by me as I entered the normally vacant structure. Caught it completely off guard and waited until the possum got out from underneath the staircase, crawled back over to its pup (or whatever you want to call it) which allowed me to walk safely up the stairs that night, without disrupting their whole thing. I set up the front of a dresser drawer in the space below the first step in the staircase, which the possums would have to knock over in order to get inside the building. That let me know that there were animals in there, or had been recently. I would notice that tipped over, as well as tennis balls and other playthings strewn about the bottom floor of the barn. They stayed away from my stuff in the attic, mostly. I was never sure whether it were the possums or the raccoons but for obvious reasons, I had an obligation to not leave a mess. I was smart about how I handled the situation, and I was never afraid.

In fact, I used to think possums were ugly until I saw this one in a tree over by Group W Bench. Around the same time that all of this stuff was happening at the barn, a possum appeared in a tree in front of their shop. I found out because I follow one of the shopkeepers on Instagram. So I promptly went down there and documented the possum, as part of an "Urban Wildlife" feature.

Raccoons
I never would have thought that I would ever be here, but then again, here I am. In youth, I came here as a sanctuary, where I was safe from the pain that I endured from being around my family. Nobody knew where I was. Nobody seemed to care. And I found myself here, amidst the random books and the ambient sounds of the city from a building that looked like a barn, but was actually an Industrial Revolution-era manufacturing facility.
There were times in the late afternoon where the raccoons were lingering on the first floor. Just for the record: Raccoons are not to be fucked with. They're like cats, in the sense that if you go near them and they hiss, you need to back the fuck up and leave them the fuck alone. Especially if you're living with them in the same building. I would not even attempt to walk by the fuckers in the afternoon if they were exploring the first floor by the garage door. Usually they got in when I left the door open. That's something I became aware of and stopped doing. In the instance that I needed to leave, but couldn't use the first floor exit, I ran a rope out of the barn and climbed down it. This was kind of difficult to do, but it was extremely hard to get back in the same way. At 34 years of age, I could do both. With some degree of physical exertion, but with confidence because you need confidence when you're hanging onto a rope and you're about to climb into a window on the third floor of a building (why? because there are raccoons on the first floor and you're not fuckin' with them).

Inside the barn, I found peace and serenity. I also found my old writings from high school. I reconnected with myself and wasn't afraid to be alone. I found solitude gratifying, after the tragedy of the previous year. I found peace and solace in the mornings, waking up alone. But the problem is that I still needed a place to shower, and that was becoming an issue as the seasons got warmer.
I met someone who lived down the street. She had a sun room where I could work and edit videos. She let me stay there, so I could be there as much as I wanted, but I needed to be careful because I was in no place to be in or start a relationship. Therefore use of the sunroom and the house itself, which she graciously opened up to me, made my summer possible. It's no secret how I was able to stay looking clean and work on video; the mac mini I edit my videos all summer on were in need of a screen to connect to. This worked.




There were many mornings I would also wake up at the barn. In particular, I liked staying there so I could get super drunk by myself and cry. I know it sounds stupid, and that's because it is, which is also why at certain points I needed to stay away from the place. I was afraid because I wasn't sure what I was going to do to myself, not knowing what my future was going to be like; after pretty much losing everything I ever cared about and going back to the place where I used to be when I was 17, hurt and abused by my dad, looking for some place; any place that was safe where I could be not in danger and free to explore and roam around. It piqued my interest in urban exploration but living there goes one step beyond. Nobody besides me has ever tried to live there, except for Leland, who is the inspiration for the character "Chad" in Phiction. And after working as a PV installer in my 20's I never would have imagined that I would be in a situation where the barn would ever become necessary as a place to live. I'm glad that it's over, because where I ended up is just as quirky. Ultimately I believe that our lives play out in mysterious ways, and that everything happens for a reason.
And so this is how I would leave the barn in the late afternoon if the Raccoons were on the first floor. I connected a rope to the top of a ladder which was fastened to the structure of the building. The rope had been approved by OSHA but I don't think they were ever intending on it being used for this purpose. I would throw the rope out the window and climb down it when I needed to get out and I couldn't leave from the garage door on the side (see aforementioned paragraph about wild animals and how to deal with them).

There were also times when I would climb back up the rope into the 3rd floor. This was often done by removing my backpack and tying the bottom of the rope to the backpack and then lifting up the backpack by pulling on the rope. Because I can't climb up with a backpack on.

Perhaps you'd like to know more about how I ended up homeless or why life is so weird. Maybe you're reading this because you want to know the same thing that I'm wondering: why do I know you?

Thursday, September 25, 2014

About This Program.

I go on late night walks here.
At 1 in the morning, I wake up and I can't go back to sleep. So I go for walks downtown by myself. I usually end up going the exact same way. And I typically end up at Hewitt Quadrangle. Sometimes I sit there and draw (illustrate). While I'm walking, however, I like to write posts about my life. It's the closest to autobiographical I'll ever be capable of. I hope you'll find it interesting.

Tuesday, August 26, 2014

Old Dog

One of the more challenging things in life is imagining that the outcome of the future is one way, when in fact what actually plays out is something very different. Leaving behind those expectations, only abiding by a checklist, is about the best we can do to see fit. In film, particularly, that can be daunting because with the way I conduct my operations, I'm not given a second chance.

I've had relationships go in a direction i never thought they would go; and there have been many jobs that I've taken up where what I hoped for just simply did not turn out the way that I wanted.

Every once in a while, I do something unexpected and it turns out great. It's gotten to the point where I count on the unexpected to carry me through all of the times I didn't meet up to my own expectations, or the situation itself did not.

Carrying through that, trying or attempting to have a better plan for the future, might be what I could be better at. Every time you go through something where you're not really sure of the outcome, you practice that. And the hope is that as we get older, we get better. I'd like to simply get better without getting older, as the world continues and I remain ever-present and aware.

Tapping into that space in my head which i know is not necessarily my own space; the shared space; the social space. The parts of our mind that are not just ourselves but a combination of everything around us. We are so often conflicted by this because it's so easy to believe that all of our thoughts are our own. I often think that we are like mini-explosions; that our particles are paired with stars and photons and galaxies, and that all that we do here on earth as these creatures, these living beings, is to play out what happens in science, both molecularly and astronomically. That we are actors, essentially, acting out our lives as what we really represent are objects in space.

Above all, what we all want is to do the best we can and to live interesting lives. There have been many occasions where I might not have done the absolute best thing I could have done. On many occasions, I chose goofing off to facing the hard work. Or half-assing something which required a full ass. At the end of the day, at 35, I'm still that kid on the skateboard with the camera. Only now the stakes have changed, the equipment has gotten better, and I still haven't learned anything new in a while. On the skateboard, the kids call me Old Dog because I can't seem to learn anything new. Old dog Rusty.

Saturday, July 26, 2014

Ocean Time.

Time is an ocean;
Each moment, a droplet
together in tides,
at one with the phases.

Life is a moment;
a droplet, of many
e pluribus unum,
as seen on the coins.

In my pockets, no value;
my mind, just an ocean
of moments collected,
remembered assembled.

Our lives are like phases;
as we progress, older
our memories serve us,
and wise as our lives are.

punctuation guidelines
1: semicolon
2: mid-sentence comma
3: end of sentence comma
4. period

A photo posted by ianÓ# (@203ian) on